André DERAIN - Le port de Collioure, 1905

Le port de Collioure, 1905

 

André DERAIN (1880-1954)

Le port de Collioure, 1905

 

School of painting: Modern

Medium: Oil on canvas

Signed lower left a.derain

33 x 41.3 cm
13 x 16 1/4 inches


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Provenance:
Ambroise Vollard (?)
Private collection
Helene Caze
Georges de Braux
Sherburn M. Becker
Thence by descent to the present owner


Exhibition(s) :
Geneva, Musée de l’Athénée Genève, André Derain 1880 – 1954, 16 July - 6 October 1959, excat no 5.


Bibliography:
Georges Hilaire, Derain, Pierre Cailler éditeur, Genève, 1959, no54, illustrated
Louis Vauxcelles, Le Fauvisme, Pierre Cailler éditeur, Genève, 1959, illustrated front cover
Gaston Diehl, Derain, Paris, Flammarion 1964, illustrated
Gaston Diehl, Derain, New-York, Crown, 1977, p.14, illustrated
N. Kalitina, A. Barskaïa, E. Gheorghievskaïa, André Derain, Le peintre à l’épreuve du feu, Parkstone Aurora, 1995, p. 64 illustrated


Information :
This work has been authenticated by the Comité Derain

André Derain, after three years of military service, returned to Chatou in 1904 to resume his collaboration with Maurice de Vlaminck. During the 1905 summer, for two months, he joined Henri Matisse in Collioure, one of the leading figures of Fauvism.
The high points of Derain’s Fauve period were his paintings of Collioure and London in 1905 along with l’Estaque and London in 1906.
This view of Collioure shows a transition between Chatou’s works and the great compositions he realized during his trip in Collioure.
In this important Fauve work, at the height of the movement, Derain applies with large colour patches and one can see very specifically the attention he gives to the light effect. His own words were: “Without shadow, a world of clarity and brightness”.

This painting has remained in the same collection for more than fifty years and it is exhibited for the first time in England.


 

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